a5c7b9f00b Michael Mason, a pickpocket living in Paris, steals a bag with a teddy bear in it. Not realizing the toy contains a timed bomb, he tosses it aside on a busy street. A few seconds later it explodes, killing four people. CCTV footage reveals Mason's face and the French police tag hima terrorist threat. The explosion, although botched, was set up by a select group of the French Interior Ministrya decoy so they can make a half billion dollar digital transfer from a bank (closed on French National Day) – hence the title Bastille Day. In a separate CIA investigation the unruly agent Sean Briar discovers the real story behind Mason's "terrorist attack". The two men, on different sides of the law, collaborate to bring the corrupt members of the Ministry down.
A young pickpocket and an unruly CIA agent team up on an anti-terrorist mission in France.
Idris Elba is well castSean Briar, a CIA agent on the trail of a Paris bomber. He is a bit of a 'one tough guy against the world' type character who he plays very well. It's a bit of a job application for the James Bond roll, but is an enjoyable thriller nonetheless.<br/><br/>Richard Madden plays, Michael Mason, a cheeky pickpocket, who steals a handbag that, unbeknown to him, contains a bomb. When the bomb explodes Mason becomes Paris's most wanted and is hunted by Briar. There is a great chemistry between the two leads and although the story is a little predictable it bubbles along nicely with some good action scenes and stunts.<br/><br/>The movie is nothing special, but throw in the wit of Mason and you have a descent movie with a few laughs for good measure.
The action runs at full throttle throughout from Paris rooftop pursuit, a bomb, car chases, several full-on fights, to a bank robbery in the midst of a riot.<br/><br/>The acting is solid, the dialogue not bad and the characters just a bit more than two dimensional. The story is quite convoluted but not too hard to follow, if a little predictable in places. <br/><br/>Talking of predictable, the bullet-proof all-American hero single- handedly solving the world's problems is a tiresome theme. Why must Hollywood consistently portray the rest of the worldstupid, inept, racist and corrupt? Self-projection maybe?
For a film so interested in the public's malleability, The Take isn't particularly good at controlling its own audience.

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